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The objective for Sabrina was to take the wealth of knowledge and experience contained in the XLF and distill it down to its essence. To create a loudspeaker that, like the first WATT/Puppy, could stand alongside much larger systems and offer the kind of dynamic contrast and harmonic expression that is the defining character of Wilson Audio loudspeakers.

Introducing the Sabrina

The inspiration for Sabrina arose from two distinct and seemingly disparate sources: the original WATT/Puppy, and the Alexandria XLF. The WATT/Puppy was the result of Dave Wilsonäó»s belief that a well-designed compact loudspeaker could outperform many of the much larger state-of-the-art systems of its day. Sabrina is nearly the same size as its 1980s progenitor. The XLF, on the other hand, represents the current pinnacle of Wilsonäó»s three-decades-long quest to bridge the gulf between live, unamplified music and its reproduction. The XLF platform offers the worldäó»s most precise time-alignment capability, custom-designed drivers, and cabinet modules constructed from Wilsonäó»s proprietary materials, reducing cabinet resonance and coloration to inaudible levels.

The objective for Sabrina was to take the wealth of knowledge and experience contained in the XLF and distill it down to its essence. To create a loudspeaker that, like the first WATT/Puppy, could stand alongside much larger systems and offer the kind of dynamic contrast and harmonic expression that is the defining character of Wilson Audio loudspeakers.

All-new Architecture Using Proven Materials

When it comes to a loudspeakeräó»s architectural design, Wilsonäó»s philosophy is driven by the notion that a loudspeakeräó»s form is inextricably tied to its function. The unique physical features which are required in order to reduce propagation errors and lower enclosure panel resonances have for decades now given Wilson loudspeakers their look. Arguably, there is a form of beauty singular to the congruent interplay of technical and aesthetic ideals. Sabrinaäó»s cabinet is hand-assembled, glued with proprietary adhesives, hand-sanded, gel coated, painted with multiple layers of automotive-grade paint, inspected, then polished and buffed to the same exacting standard as every other Wilson loudspeaker. The front baffle and bottom panels are built from Wilson proprietary composite, X-Material.

When the drivers in a loudspeaker array are aligned so that the leading edge of transients from each driver arrives at the listeneräó»s ear at the same time, the result is a profound improvement in dynamics, harmonic detail, transparencyäóîand in other important areas of sonic performance.

Put simply, all the things that characterize what the brain interprets as äóìrealäó? in music reproduction. The adjustable driver modules in Wilsonäó»s larger loudspeakers exist to provide unprecedented control over time-alignment in a large variety of listening environments. But in a single cabinet speaker such as Sabrina, the concept is still valid. Sabrinaäó»s driver array has been time optimized for the typical listening room (hence the sloping front baffle of the loudspeaker).


Every Sabrina crossover is a solitary work of art, each built individually to match the reference crossover. Wilson mandates tolerances that are as stringent as plus-or-minus point-two percent (two-tenths of a percent)äóîmuch more exacting than what even the best individual components can achieve. While other high-end manufacturers accept this lack of precision as au fait, and crank out tin-soldier crossovers, Wilson believes that the owner of any of its products should hear precisely what Dave and the engineers heard when they signed off on the final prototype.

When designing the Sabrina crossover, proprietary measures were taken to reduce distortion along with its deleterious audible effects. Bass performance and dynamic contrast that met or exceeded Wilsonäó»s standards was a primary design goaläóîmade challenging by Sabrinaäó»s a relatively compact enclosure volume. Continuous refinements in crossover topologies and specific component choices were made in large part with this in mind. The engineers at Wilson Audio employ proprietary modeling software, developed largely in-house, which considers and helps identify time-domain variables within the crossover other designers simply ignore. Subsequent listening and meticulous crossover component refinements verifies empirically the veracity of any given design choice. The metric used to gauge success is measured not solely by technical analysis, but through the methodical comparison to live, unamplified music.

Lowering noise and distortion in the Sabrina allowed the design team to hear äóìdeeperäó? into the loudspeaker. Problems and unwanted sonic artifacts that would otherwise be obscured are clearly audible and, in turn, more easily addressed and removed. Reducing time-domain distortion with it decreases deleterious grain structure and improves settling timeäóîa salient strength of Sabrina. Sabrinaäó»s remarkable bass performance, a canny combination of speed and authority, were some of the dividends paid by the engineeräó»s innovative work on the low-pass portion of Sabrinaäó»s crossover. Midrange transient speed, tonal beauty, transparency, spatial resolution, bass alacrity, and dynamic expressionäóîand, most importantly, a consummate verisimilitude to the live musical event, all traditional strengths of Wilson loudspeakers, are present in full measure in Sabrina.


Much has been written and said about Wilsonäó»s proprietary Convergent Synergy Tweeter. Its original design goal was to provide an ideal balance between the upper frequency smoothness of some of the so-called "exotic material" designs, and the lower frequency reach and power handling capability to mate seamlessly with Wilsonäó»s large midrange drivers. In many circles of the industry, it remains the ne plus ultra of high frequency reproduction. Convergent Synergy is a product of Wilsonäó»s ongoing innovation, and provides the basis, in simplified form, for Sabrinaäó»s tweeter. In Sabrina, an agile and dynamic 5.75" midrange driver is used. Its midrange beauty and dynamic alacrity extends into the lower treble (it is linear to beyond 3.5kHz). To capitalize on this driveräó»s seamless musicality in this area of the bandwidth, the tweeter is crossed over at a higher frequency than in other Wilson designs. The higher crossover results in an even higher power handling capability for this rugged yet musically expressive tweeter.

Sabrinaäó»s eight-inch woofer was first used in the Alexia, and was modified for its use in this smaller, single-driver enclosure. These drivers represent äóìtrickle-downäó? technology at its best, and represent the commitment to making Sabrina a speaker entirely worthy of the Wilson Audio name.

Technical Specs

8 inches (20.32 cm)
Paper Cone
1 inch, Dome (2.54 cm)
Doped Silk Fabric
5 3/4 inches (14.61 cm)
Paper Pulp
Frequency Response:
31 Hz äóñ 21 kHz: +/- 3 dB, RAR (Room Average Response)
Nominal Impedance:
4 ohms / 2.53 ohms minimum @ 139 Hz
87 dB @ 1W @ 1m @ 1 kHz
38 inches (96.48 cm)
Height w/ Spikes
39 5/16 inches (99.80 cm)
12 inches (30.48 cm)
15 3/16 inches (38.55 cm)
System Weight Per Channel
94 lbs (42.64 kg)
Approximate Shipping Weight
222 lbs (100.70 kg)